Advanced Listening Practice

The Shipping Forecast

A retired BBC producer reflects on fifteen years making the Shipping Forecast and why millions of people listen to weather they will never need.

Listen to the mp3 file and choose the best answer for each question. Then listen again to check.

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1. How does George describe the language of the nightly forecast?
    Repetitive, pausing to add safety and navigation advice
    Deliberately complex, so only professional sailors can decode it
    Telegraphic, stripped of elaboration, in a fixed geographical order
    Fluid, letting presenters adjust the wording to the weather

2. How did George get the producer's job?
    He lobbied hard for it out of a lifelong love of sailing
    He was reassigned as punishment for mishandling a daytime show
    He pitched a plan to double the late-night audience
    He fell into it by being nearby when the last producer left suddenly

3. What demographic contrast captures George's early bewilderment?
    A few thousand need it at sea; millions of landlocked people tune in
    It targets commercial fishers, but most listeners are weekend sailors
    Built for rural elderly listeners, but its audience is young and urban
    The data covers international waters, but listeners are all coastal

4. What did the Suffolk woman's reaction show the team?
    Older listeners were being alienated by modern terminology
    They'd disrupted a deep parasocial bond by changing the rhythm
    Rural transmitters were failing to deliver the late signal clearly
    Listeners couldn't tell the new presenters' accents apart

5. Why was the dinner guest disappointed by George's "German Bight" explanation?
    The guest found the explanation patronising and unnecessary
    It exposed the guest's poor European geography to others
    The guest objected to using old terms for modern regions
    The plain definition destroyed the spell the obscure name held

6. What was notable about the February storm conditions?
    They produced extreme levels of wind, strong enough to sink boats
    They knocked out the transmitters, forcing backup frequencies
    They were freakishly unseasonal, catching fishing fleets unprepared
    They moved so erratically that forecasting was almost impossible

7. Why would dramatising the storm warning have been a mistake?
    It would have panicked the millions listening for comfort
    It would have breached the met office's regulatory guidelines
    It would have contaminated the clarity those at sea relied on to survive
    It would have sounded unprofessional and damaged the BBC's credibility

8. How does George relate to the broadcast now he's retired?
    He avoids it; it triggers anxiety about his old responsibilities
    He records every broadcast to check the new producers' standards
    He tunes in only during storms to assess the current presenters
    He listens often but loosely, still finding comfort in its four minutes

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